1.
Native North
American art is: a.
b.
2.
Today, Native artists,
both male and female are trained in:
a.
b.
And
they work in a broad range of:
c.
d.
e.
3.
Moments of art-making
can encompass the sacred and the secular, the:
a.
and the
b.
and the
4.
The contemporary
vitality of Native American art is also evidence of an extraordinary story of
.
5. Visual
arts have long played a critical role as of culture within Native American societies, and are
the most eloquent and forceful articulations of the:
6. Native conceptions of time are organized around
principles of order.
7. Native
art over the last five centuries are visual responses to crises like:
a.
b.
c.
d.
8. Visual arts help maintain the integrity of the
following systems:
9. Oral tradition accounts for: a. b.
10. Long-standing concerns of art-historical work include
the roles art plays in:
To
which other concerns are added, such as:
11. Distinguishing any object as art creates a
cross-cultural morass because people do not have the same
for evaluating objects, especially culturally.
12. In
Native traditions, the and
features
of an object are not necessarily the most important in establishing relative
value. Other qualities or
associations may be more important, such as:
a.
b.
c.
d.
13. List the categories of Native American historical art
available for study and appreciation:
14. Judgements of in art carry important implications about value and
definition.
15. For
most Native groups the fundamental unit of membership is the .
Inheritance can be either:
a.
b.
16. The subject of remains
a painful and difficult issue for many Native people and is regularly addressed
in the work of contemporary artists.
17. Native
epistemological systems explain:
a.
fundamental-
b.
interrelationships-
c.
nature of-
d.
nature of-
18. Shared Native beliefs concern the:
19. The Native cosmos is split into four zones:
20. The ability to recognize and access the powers located
in:
Required:
21. Human beings need to acquire power from the non-human
beings if they are to be effective in the world. Such powers are maintained with the help of aesthetically
elaborated forms and expressed through and performed
on ceremonial occasions.
22. The power of personal adornment, including and , has been one of the most important vehicles of
artistic expression-a tradition that has carried through to contemporary dress.
23. The introduction of new trade goods was welcomed by
Native artists who were eager to experiment with new:
And
incorporate them in their own repertoire.
24. The exotic and unusual have always been highly by Native peoples.
25. Native people have long enhanced their status through
personal displays of trade goods and by incorporating new and exotic and .
26. Native arts of North America are rife with preconceptions
concerning what is:
27. Distinctions are drawn between arts that are under the
purview of , and those in the realm of .
28. In the Native worldview, male and female endeavors are
parts of
a whole, each necessary to the existence of the other.
29. Male and female artists gain inspiration for their
work in and .
30. Outstanding talents and achievements are understood to
be of power.
31. In Native societies, and knowledge is a form of or , which can be transferred from on individual to
another as a or
.